Archive for the ‘ventriloquism’ Category

Rockhaunter — Dubjective Hauntology in Sound and Vision

I’d wasted more than half my life listening out for the ultimate monster earthquake history-killing punk-blues teenage feedback riff-fuck. And I’d wasted more than the other half trying to make music from unitary sounds I’d collected in my conscious fear of their presence. At some point in the past decade I stopped collecting songs and listening out for patterns and started describing the imaginary music that had left its constantly replaying imprint on me. All of a sudden, over a period of three or four years, I became dizzy with the truth: the finest tunes exist in the imagination.

I and I (and, indeed, I) am thee Rockhaunter. Keen hauntiquaries, or hauntiquarians, we poke into and recreate antiquarian sounds in our imaginings and in uttering thoughts about them. I’m no specialist, so I can’t get with “hauntology” — although I grok it and groove on its skittering blueprint surface. Also, I don’t simply regard the sublime and then cast theory with genuflections: I swim and cavort in it. I don’t consider the shadow tracks of unknown sounds as the memories of things that have never been present: in my dubjective sensing, these are unheeded frequencies. I don’t categorise the Unexplained or the Reimagined as monolithic footnotes to ‘the weird’ or ‘the uncanny’: I let the voices talk through my ventriloquising.

Is hauntology in music and visual culture a reinvention of historicism with weird contingencies replacing science? Why do hauntologists seek place-specificity? What makes hauntology different from psychogeography, deep topography or general critical theory? How is hauntology different from other re-educationalist projects in popular culture (like psychogeography and record collecting) that tackle both nostalgia and entrenched academicism head on with purposeful revisionism?

singingpoetry.jpg

My hauntiquarian nose smells an attempt by radical minds to create an imaginary national epic of collective possibilities. I wonder what such an epic would sound like.

Watch me now. I’m thee Rockhaunter. The ghostly harmony killer. Versioning the people. With a sheet over my head.

Coming soon:— Rockhaunter, No. 1, Halloween Hauntology Special


Posted by Neil on September 21, 2007 at 7:56 pm
Tags: Film, Music, Proletarian Postmodernism, Spatiality, antiquarianism, hauntiquarianism, hauntology, ventriloquism
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Reissue of Rockhunter, Issue 11, June 2004

I’ve just finished retyping and thereby reissuing Rockhunter, Issue 11, June 2004. I’d lost the original file and had to dig out a paper copy.

Issue 11 was a very slight publication running to less than 900 words. It dealt with the thorny matter of “The Limits of Independence: Conscience, Possessive Individualism and Mass Ventriloquism in Reverse”. I can’t imagine many people read it at the time. But I’m sure the internet will reveal it’s audience.

This issue was first distributed, like all issues of Rockhunter, in the Heart and Hand public house and Borderline Records, Brighton.


Posted by Neil on September 18, 2007 at 10:36 am
Tags: Individualism, Music, ventriloquism
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